Stromoski’s Skews

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The editorial cartoon reflects the view of the creator and is not necessarily endorsed by The Suffield Observer.

Food for Thought

Food For Thought

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National Cookie Day  

December 4

“Empty?! You took all the cookies!” “They were crying to get out of the jar… Cookies get claustrophobia too, you know!”

– Charles M. Schulz

“Early bird gets the worm. But cookie taste better than worm.

Letter to the Editor

A Town Treasure: Suffield Academy

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Dear Editor,

As a proud resident of Suffield (since 1970), I am writing to detail the positive impact that Suffield Academy has had on my children and other children who went through the Suffield Public school system. I coached travel basketball for boys and girls, grades 5–8. Gym space in Suffield was always limited. Not only did Suffield Academy allow us to practice in their gym, but the Academy staff and students were always welcoming. The teams I coached were able to practice in a better facility for longer periods of time and extra days during the week.

Organizations

Correction

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 In the Observer’s November issue, an editorial on Page 2 misstated the amount of land in Suffield that has been preserved from development. (The “237,000+ acres” stated would be almost ten times the area of the town.) In the Town administration’s presentation to the October 10 Town Meeting, the amount preserved by the Town was listed as 1,373 acres, about five percent of the town’s total area. The Observer reported that number on Page 8 of the same issue in an article about a decision at the October 19 meeting protecting 43 acres of farm property on Hill Street. Including property protected in some other manner, a little over half the land in Suffield is preserved from development. 

Editorial

Shakepeare’s Henry V

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Recently I attended a performance of Shakespeare’s Henry V at the Hartford Stage Company; I found it satisfactory though not exemplary. Because I had not read the play since college, I watched the rendition on DVD by Kenneth Branagh. It was bloodier than I had remembered, and modern movie techniques allowed for a great deal of violence and agony—enough, I thought, to almost overwhelm the beautiful language. A few days ago I watched the Laurence Olivier version, which was filmed in 1944, with the kinds of sets that reflected the war shortages experienced in England, and the kinds of somewhat melodramatic costumes and makeup that were more prevalent in that era. In fact, Olivier’s Henry V was one of the first to be recorded on film and the first, I believe, to be recorded in technicolor.